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Reconnaissance and Imagery Analysis > Photo
Interpretation & Imagery
Analysis > Photo
/ Imagery Interpretation Techniques
The
Signaturing Techniques
Introduction:
"Signatures" is the professional
jargon for characteristics in the general interpretation
sense. While there are five primary signature components – size,
shape, shade, shadow, surroundings – there
are other factors that influence the interpretation
decision rprocess, including:
-
Spacing,
-
Site, and
-
Association
While
these signatures were originally developed for conventional photography,
many remain relevant for sensor imagery too.
Signatures:
SHAPE
Shape is the general form or outline of an object.
Man tends to build things with clearly defined edges and straight
lines that intersect
at right angles. Nature, on the other hand, produces
irregular, meandering lines which seldom intersect at right angles.
Compare, for example,
the manmade canal with the river. But even when we
are discussing things made by man, shape can distinguish between
various objects.
Look at the differences between a road and a rail line.
Roads are marked by sharper curves and intersections that form a
right angle.
Rail lines must have sweeping curves, no steep grades,
and intersections form “Vs”. Similarly, aircraft, for
example, may be recognized by the shape of their wings.
SIZE
This
aspect considers the dimensions of the object or
feature. It can be only the relative size compared
with that of known objects nearby, or the image
measure and the actual size
determined. The importance of size as a signature
is clear when you consider that objects may be
identified to model within a type
based solely on this single consideration. For
example, the size of a mortar base provides a clue
to the caliber of the
weapon. Also,
the spacing between gun emplacements can serve
to define the type of weapon and caliber. The wing
span on an aircraft can serve to
identify one specific aircraft type from another.
SPACING
Spacing
is the arrangement of objects, especially those
repeated. Visually, it might be the random spacing
of trees by nature versus that of an orchard. Man’s habits and reluctance
to change aid the identification process. The bunkers in an ammunition
storage area are a classic example.
SITE
This
is the location of an object in relation to its
environment. Many objects will stand out simply because
they do not belong in the area or place they are in. This particular
aspect is very useful to delineate function or role, for
example, distinguishing
the headquarters buildings from the airfield control
tower or a missile site from a storage facility. In some instances, a
facility being constructed for a specific weapon systems has
a unique pattern,
allowing identification of the associated system’s presence
even before the actual equipment arrives.
SHADE
This
signature component refers to the gray tone of the object as it
appears on the imagery. Types of vegetation
and
foilage are distinguishable on imagery solely based
on their tonal response. Imagery shade is a direct
result of the objects surface
texture. Unpainted metal objects reflect brightly,
and show up white on the imagery, for example.
Shade is particularly useful in distinguishing
camouflage from natural vegetation.
SHADOW
Shadow
adds dimension to the length and width of objects
and features. It will also serve to profile the structure
of an object which is extremely useful in identification. For example,
looking straight down on a lattice—mast mounted radar antenna
affords a unique perspective with limited information
for identification. However, because the sun provides shadows of
this item on the ground,
thus providing a “side” view, recognition of the radar
antenna is often possible.
SURFACE
Surface
is the frequency of change within the photographic image. Smooth
surfaces render a lighter tone while
rough surfaces
tend to reflect darker. Trails made across a grass
area offer a different tone than the grass that
is standing upright and has not
been pushed down.
ASSOCIATION
Some
objects are commonly associated with other objects so routinely
that one indicates or confirms the
presence of the
other. A combination or arrangement of features
may be used to identify almost any military installation. Similarly,
the presence of certain
radar systems can indicate a specific SAM system.
Convergence of Evidence, that is, the combining
of certain associated
pieces of
information, is a very significant interpretive
technique that each image analyst must develop and use.
Supporting
Factors:
SEASON OF THE YEAR
This
factor directly affects the image content. In the fall and winter
deciduous vegetation is dormant,
with no leaf
cover. Snow may cover certain information that
is normally present, and reveal other aspects. Winter coverage may
be used in some areas
to define information otherwise covered by tree
canopy.
I should mention too that seasonal solar elevation
and available light influence
the acquisition of imagery.
SCALE
Scale
is the relationship of the photographic image size to the ground
size of the object. In maps we
express the scale as a representative fraction,
one unit of the map being equal to
a certain number of ground units. In aerial photography
a representative fraction is also used. It is called
the photo scale reciprocal,
or PSR. The scale of imagery is important in establishing
what levels and types of exploitation will be possible.
Some examples of the
scale required for specific levels of interpretation
are shown in the table below.
SCALES REQUIRED FOR INTERPRETATION
SUBJECT |
IDENTIFICATION |
TECHNICAL
ANALYSIS |
| Aircraft |
1:10,000/20,000 |
1:2000/5000 |
| Electronics |
1:5000/10,000 |
1:2000/5000 |
| Missiles |
1:4500 |
1:1200 |
| Vehicles |
1:4500 |
1:1200 |
SEQUENTIAL
PHOTOGRAPHS
Imagery
of the same area or target taken at different times, often called
comparative cover or change detection coverage.
Through this type of coverage effort it is frequently
possible to detect subtle changes, differences in
order of battle, activity levels,
and new construction.
STEREOSCOPY
This
is the science of viewing illustrations and photography
while (mentally) seeing the third dimension. It delineates
changes in terrain, buildings, trees, specific facility,
and or site features;
anything that has height. Structural elements become
evident, often even without shadows and other aids.
Many bits of important information
not discernible on monoscopic coverage are evident
in stereo.
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